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William Cannings, Synthesis - a shadow of its former self - 1, 2021

William Cannings

Synthesis - a shadow of its former self - 1, 2021

steel, neon paint, vine

62h x 98w x 18.50d in

WC083

William Cannings, Synthesis - a shadow of its former self - 1, 2021

William Cannings

Synthesis - a shadow of its former self - 1, 2021

steel, neon paint, vine

62h x 98w x 18.50d in

William Cannings, Synthesis - a shadow of its former self - 2, 2021

William Cannings

Synthesis - a shadow of its former self - 2, 2021

steel, neon paint, vine

64h x 56w x 48.50d in

WC084

William Cannings, Synthesis - a shadow of its former self - 2, 2021

William Cannings

Synthesis - a shadow of its former self - 2, 2021

steel, neon paint, vine

64h x 56w x 48.50d in

William Cannings, Bend, 2021

William Cannings

Bend, 2021

steel, neon paint

48h x 8w x 13d in

WC085

William Cannings, Bend, 2021

William Cannings

Bend, 2021

steel, neon paint

48h x 8w x 13d in

William Cannings, Silver Lining, 2021

William Cannings

Silver Lining, 2021

steel, neon paint

32h x 23w x 8d in

WC086

William Cannings, Silver Lining, 2021

William Cannings

Silver Lining, 2021

steel, neon paint

32h x 23w x 8d in

William Cannings, Squadron, 2021

William Cannings

Squadron, 2021

steel, clear coat

dimensions variable

WC087

William Cannings, Squadron, 2021

William Cannings

Squadron, 2021

steel, clear coat

dimensions variable

William Cannings, Split-in-the-Cloud, 2021

William Cannings

Split-in-the-Cloud, 2021

inflated steel, clear coat

7h x 14w x 6d in

WC082

William Cannings, Split-in-the-Cloud, 2021

William Cannings

Split-in-the-Cloud, 2021

inflated steel, clear coat

7h x 14w x 6d in

William Cannings, Curve, 2021

William Cannings

Curve, 2021

steel, neon paint

17h x 5w x 5d in

WC092

William Cannings, Curve, 2021

William Cannings

Curve, 2021

steel, neon paint

17h x 5w x 5d in

William Cannings, Oscillation 1, 2021

William Cannings

Oscillation 1, 2021

steel, neon paint

34h x 34w x 8d in

WC089

William Cannings, Oscillation 1, 2021

William Cannings

Oscillation 1, 2021

steel, neon paint

34h x 34w x 8d in

William Cannings, Oscillation 2, 2021

William Cannings

Oscillation 2, 2021

steel, neon paint

36h x 36w x 10d in

WC090

William Cannings, Oscillation 2, 2021

William Cannings

Oscillation 2, 2021

steel, neon paint

36h x 36w x 10d in

William Cannings, Oscillation 3, 2021

William Cannings

Oscillation 3, 2021

steel, neon paint

36h x 36w x 12.50d in

WC091

William Cannings, Oscillation 3, 2021

William Cannings

Oscillation 3, 2021

steel, neon paint

36h x 36w x 12.50d in

William Cannings, Oscillation 1-3, 2021

William Cannings

Oscillation 1-3, 2021

 

William Cannings, Oscillation 1-3, 2021

William Cannings

Oscillation 1-3, 2021

Press Release

Cris Worley Fine Arts is pleased to announce, Getting Back to Basics, a solo exhibition of new works by gallery artist William Cannings. This is Cannings’ seventh solo exhibition with Cris Worley.

William Cannings spent time in his youth working in automotive shops where he familiarized himself with the tools and equipment needed to support his current day art practice and satisfy his hands-on approach to making. Today, the artist has mastered an innovative process of working with three of the four classical elements of nature: steel, heat and air. Each finished sculpture appears buoyant despite its heavy material, creating a dichotomy of hard and soft, weightlessness and heft. 

Getting Back to Basics marks the artist’s return to an instinctual exploration of material and form. “I have been developing this process of inflating hard materials for 21 years now, and I’m still curious about what I can do with it both formally and conceptually,” says Cannings. “It is important for me to make and let the making inform the next work, a sort of stream of consciousness sculpture. I am intrigued where this will take me.” 

Lubbock, Texas based, Cannings also draws inspiration from the natural world, including the expansive skies of West Texas. In works such as Cloud and Silver Lining, the artist intentionally exposes the raw effects of inflated and stretched steel, mimicking the natural swirls of cloud formations. The sinuous, whip-like sculpture titled, Found and Fabricated integrates a native Texas vine with brightly colored steel of similar form.

William Cannings (b. 1970) is originally from Manchester, England and currently lives and works in Lubbock, TX with his wife, Shannon Cannings, also a fine artist, and his two daughters. He received a BFA from Virginia Commonwealth University and an MFA from Syracuse University. He is Professor of Sculpture at Texas Tech University. Cannings exhibits frequently across the United States including in New York, Miami, New Mexico and Texas. Recent public works include a monumental outdoor sculpture at the Hall Sculpture Walk, Hall Arts Hotel in downtown Dallas. His works are also seen publicly in the permanent collection of the William P. Clements, Jr. Hospital at UTSW Medical Center in Dallas, TX and the HOLT CAT Headquarters in San Antonio, TX. He was one of four artists chosen for a solo exhibition at the 2009 Texas Biennial that was reviewed with critical acclaim in Art in America. Likewise, he is highlighted in the canonical publication, Texas Artists Today, written by Catherine Anspon. 

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