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David Fokos, Two Rocks, Study #2, Chilmark, Massachusetts 1995, 1995

David Fokos

Two Rocks, Study #2, Chilmark, Massachusetts 1995, 1995

archival pigment print

48h x 48w in

ed. 50

DF015

David Fokos, East Meets West, Vineyard Haven, Massachusetts 2009, 2009

David Fokos

East Meets West, Vineyard Haven, Massachusetts 2009, 2009

archival pigment print

36h x 36w in

ed. 50

DF016

David Fokos, Cliff View I, Chilmark, Massachusetts 2008, 2008

David Fokos

Cliff View I, Chilmark, Massachusetts 2008, 2008

archival pigment print

36h x 36w in

ed. 50

DF017

David Fokos, Beach Comet, Chillmark, Massachusetts 2010, 2010

David Fokos

Beach Comet, Chillmark, Massachusetts 2010, 2010

archival pigment print

36h x 36w in

ed. 50

DF018

David Fokos, Jetty, Oak Bluffs, Massachusetts 2001, 2001

David Fokos

Jetty, Oak Bluffs, Massachusetts 2001, 2001

archival pigment print

48h x 48w in

ed. 50

DF019

David Fokos, Reeds, Edgartown, Massachusetts 2012, 2012

David Fokos

Reeds, Edgartown, Massachusetts 2012, 2012

archival pigment print

36h x 36w in

ed. 50

DF020

David Fokos, Island Dusk, Oak Bluffs, Massachusetts 2012, 2012

David Fokos

Island Dusk, Oak Bluffs, Massachusetts 2012, 2012

archival pigment print

36h x 36w in

ed. 50

DF021

David Fokos, Breaking Wave, Chilmark, Massachusetts 2013, 2013

David Fokos

Breaking Wave, Chilmark, Massachusetts 2013, 2013

archival pigment print

36h x 36w in

ed. 50

DF022

Press Release

David Fokos was born in Baltimore, Maryland in 1960 and went on to receive his Bachelor of engineering from Cornell University in Ithaca, New York. Fokos creates photographs of land and seascapes that evoke tranquility and emanate light with a concentration on capturing the feeling and emotion of a location, rather than documenting precise imagery. At Cornell, Fokos studied Japanese art history, film, and poetry, and, while he does not specifically set out to render traditional haiku concepts in photographic form, there is a noticeable tie-in of Japanese aesthetic tradition evident in the grace, stillness, and simplicity of each piece.

Fokos’ multistep process is compulsory for his product. While many people consider photography a swift medium, Fokos labors over each image and adds only three to four new photographs to his portfolio each year. Fokos solely works with a large-format 8 x 10 Korona View camera from the 1920’s and uses long exposures lasting from 20 seconds to 60 minutes. After developing the film and selecting the best photographs, he then scans the images into his computer and often spends over 100 hours fine-tuning each element. Then, the final selection of works for his portfolio is made.

David Fokos regularly exhibits across the United States and in Japan, Russia, and Switzerland among other countries abroad. His work is frequently published and is also included in the collections of: Banana Republic, Microsoft, Texaco Corporation, McGraw-Hill, the Museum of Fine Art, Houston, the Museum of Photographic Art in San Diego, and the Boise Art Museum, among others.

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