Harry Geffert (1934-2017)
A Cat's Cradle, 2017
cast bronze with powder coat
20h x 31w x 8.50d in
HG095
Harry Geffert (1934-2017)
Spring Forth, 2017
cast bronze with patina
4h x 50.25w x 2.50d in
HG199
Harry Geffert
Row Houses, 2001
cast bronze
41h x 11w x 4d in
HG115
Harry Geffert
Briar Song, 2002
cast bronze
36h x 51w x 5d in
HG093
Harry Geffert
Great Horned Owl, 2017
cast bronze with powder coat
44h x 84w x 2d in
HG074
Harry Geffert
Glyphs, 2007
cast bronze with patina
42h x 48w x 2d in
HG160
Harry Geffert
Daylight Sonata, 2013
cast bronze with powder coat
61h x 65w x 3d in
HG018
Harry Geffert
Self Portrait, ca. 1995
cast bronze with patina
48h x 26w x 48d in
HG176
Harry Geffert (1934-2017)
Kingdom, 1996
cast bronze with patina
134h x 59w x 43d in
Harry Geffert (1934-2017)
American Gothic, 1988
cast bronze with patina
84h x 96w x 96d in
Harry Geffert
A Human Right, 1997
cast bronze with patina
102.50h x 23w x 16d in
HG196
Harry Geffert
A Place Beside the Road, 2002
cast bronze with patina
105h x 93w x 30d in
HG140
Harry Geffert
It's a Place, 1998
cast bronze with patina
71h x 67w x 25d in
HG184
Harry Geffert
Garden Rose, 2003
cast bronze with patina and concrete
none listed
HG158
Harry Geffert
Come Along Rose, 2002
cast bronze with patina
85h x 52w x 127d in
HG151
Harry Geffert
Forest, 2005 - 2006
cast paper
triptych
Framed: 96h x 144w in
HG190
Harry Geffert (1934-2017)
Tree #2, 2005
cast paper
42.50h x 48w x 2d in
Harry Geffert (1934-2017)
Ruby Series, ca. 2005
cast paper
42h x 47w x 1.50d in
Harry Geffert (1934-2017)
Ruby Beach with Three Rocks, 2005
cast paper
42h x 47w x 5d in
HG175
Harry Geffert’s work in bronze captured the mystical spirit inherent in the alchemical history of metallurgy. Led by an obsession and reverence for the natural world, Harry expressed his intimate views of human beings’ relationship with the environment through an unmatched ability to replicate organic forms ranging from the human figure, root systems, flowers, animals, and even the surface of flowing water. Harry’s technical mastery allowed him to innovate with paper-casting and painting techniques that held viewers in awe for their delicately crafted details. His work evoked the surrealism of dreams and memory, as he wrote in 2016:
"In my college years, I would go hiking in the Rockies early in the morning, and get to the meadows at the first light of day. I can close my eyes even today and still smell the air filled with the growth of those meadows. Much of my art has been about these little moments."
Harry Geffert was born in Live Oak County, Texas in 1934.He received his Bachelor of Science from Southwest Texas State University in San Marcos and his Master of Arts from New Mexico Highlands University in 1961.He spearheaded the Sculpture Department at Texas Christian University in 1962 where taught for twenty-seven years. In 1980, he established The Green Mountain Foundry where his guidance and knowledge was sought after by artists Frances Bagley, Clyde Connell, Joseph Havel, Lucas Johnson, Ken Little, Linda Ridgway, James Surls, Vernon Fisher and Virgil Grotfeldt among countless others. He was awarded the Mitchell W. Wilder Merit Citation for Excellence in Publication and Media Design in 1983 for a video installation on a bronze casting in collaboration with the Amon Carter Museum in Fort Worth. Harry went on to receive a Fellowship from the National Endowment for the Arts in 1990, and in that same year, presented a solo exhibition at the Dallas Museum of Art. He was bestowed with a Legend Award from The Dallas Visual Arts Center in 1998.In 1999, Geffert closed the foundry to focus solely on his own artistic interests.